Leading the concept, art direction and planning of a 38-work exhibition proposal.
- Period
- 2020 · Exhibition proposal
- Place
- Fundación El Gran Vidrio · Córdoba, Argentina
- Format
- Group exhibition · curatorial script · spatial and technical design
38 works · 4 artists · exhibition proposal
01 / Responsibilities
- Lead development of the exhibition proposal, from curatorial research to the artwork register and project plan.
- Define the art direction, spatial sequence and visitor experience across 4 artistic practices.
- Develop the curatorial brochure and visual communication of the proposal.
- Coordinate technical planning for mounting, supports, electrical access and projections.
02 / Process optimisation
Develop the curatorial narrative, spatial design, communication and technical requirements as one coordinated proposal.
03 / Contribution & outcome
A complete spatial and technical proposal for 38 works by 4 artists. Presented as a plan, not as a delivered exhibition.

Concept
Traza brings together practices that translate and transform signs into perceptual routes. Works by Guillermo Kuitca, Leticia Obeid, León Ferrari and Mariano Sardón move between mapping, writing, touch and interactive media, inviting close reading across the concrete and the ephemeral.
A short history
The 2020 proposal was developed for Fundación El Gran Vidrio in Córdoba as a complete exhibition plan. Curatorial research, artwork inventory, spatial zoning, elevations and visitor circulation were resolved together. This brought very different scales and media into one coherent sequence, from monumental mixed-media works and handwritten correspondence to Braille interventions and interactive projections.
Process and spatial logic
From proposition to public experience.
Curatorial frame
A shared proposition connected four practices through trace, language and perception while preserving the specificity of each artist’s work.
Artwork mapping
A register of 38 works aligned dimensions, media, technical dependencies and mounting requirements before decisions moved into the room.
Spatial sequence
Colour-coded zoning, sightlines, thresholds and a proposed visitor route organised monumental works, intimate manuscripts and interactive installations into a legible progression.
Technical resolution
Wall elevations, supports, tablets, electrical access, projection conditions and installation clearances translated the curatorial idea into an actionable exhibition plan.
Selected archive
Works, systems and spatial decisions.
The archive places source artworks beside the organisational documents developed for the exhibition. Together, the images show how curatorial intent became an artwork register, a spatial hierarchy, a visitor route and a practical technical plan.
Exhibition dossier
Brochure, plans and technical studies.
The curatorial, spatial and production logic is presented as a working archive: complete documents, shown at a considered scale and without cropping.

Guillermo Kuitca · Everything series · mixed media on canvas

Guillermo Kuitca · Everything · vertical work study

Guillermo Kuitca · Everything · vertical work study

Leticia Obeid · Manuscritos · ink on paper

Leticia Obeid · Manuscritos · language, writing and movement

León Ferrari · Braille series · intervened print

León Ferrari · Braille series · touch placed against sight

Mariano Sardón · Divergencia diferente de cero · interactive projection

Mariano Sardón · Libro de arena · interactive projection

Exhibition brochure · curatorial framework, spatial overview and artist constellation

Artwork register · dimensions, media, technology and mounting requirements

Spatial zoning · 38 works, four artist groupings and one proposed visitor route

Kuitca elevation · scale, rhythm and clearances across a thirteen-metre wall

Ferrari elevation · serial rhythm, reading height and wall-field contrast

Obeid elevation · handwritten works and tablets organised as one reading sequence

Sardón technical plan · projection, supports, movement and audience clearances
Public record